I wonder how familiar Julian Schnabel is with Sunday in the Park with George . He’s a New Yorker and an artist so the chances I think are pretty high. It is one of Stephen Sondheim’s perhaps underrated musicals but a favourite of mine and just about everyone else who has seen it. It is about a painter, Georges Seurat, and his obsession with finishing his great masterpiece while also about a cynical modern descendant reckoning with that work. It is a very compelling premise that invites new consideration of not only the legacy of an artist but an interrogation of artistry itself. And Schnabel is certainly interested in those themes, having explored them in his two movies about complicated artists, Basquiat and At Eternity’s Gate . In the Hand of Dante is not like those films. Really, it’s not like any film, at least in the details. But it does feel like a culmination of sorts for Schnabel, who has been working on it in some capacity or another for fifteen years -since it was being dev...
Criticism, Essays, and Ramblings from Another Online Film Critic. Support me on Patreon at https://www.patreon.com/JordanBosch, follow me on BlueSky at https://bsky.app/profile/jordanbosch.bsky.social and jbosch on Letterboxd