The star power of Heart of the Beast comes not from Brad Pitt’s rather bland special forces army veteran, but from the film’s true protagonist -his loyal German Shepherd Odin. And the big reason for that is that Odin actually has screen presence and charisma because Odin is real. In this time when most movie animals (including the rest of the wildlife that appears in this) are rendered digitally , thus feel ing spatially and tangibly removed from the human actors they interact with, Odin is a real dog -or rather several (Uber, Seeka, Ryker, and Hondo are credited as his actors) and that carries weight especially when he is the character the movie’s premise rests on. And whatever else, he is compelling to follow here. The movie is directed by David Ayer, fresh off a pair Jason Statham vehicles, and it would appear to be a bit of an effort to diversify his directorial image, if still occasionally touched by his particular tiresome masculine tropes and dim characterization. But it is ...
To Catch a Predator was such a distinctly 2000s artefact that people not around for it might be puzzled by its very conceit. A show that made a spectacle out of “catching” sexual predators, it was part of that initial reality TV boom of the 2000s -even as it was billed sometimes as an investigat ive journalism program. It got a lot of attention off of that public desire to watch bad people humiliated and punished (even though very few of the subjects from the show ever saw substantial prison time), and a little bit of a flare for vigilante justice. The show opined to be a bastion of justice, yet there was something just kind of seedy and gross about it. At that time and even more so now, Americans have an unusual preoccupation with pedophilia, and it was something that Chris Hansen, the creator of To Catch a Predator , was clearly aware of and keen to exploit. And as the man who always came around the corner to confront the would-be child molesters, he set himself up quite well to be...