What is so scary about stop motion? You may have noticed that stop motion is arguably the most popular form of animation in horror/suspense. Many of our more recent popular Halloween films are stop-motion animation: Coraline , ParaNorman , Frankenweenie , and of course The Nightmare Before Christmas (almost all involving either Tim Burton or Henry Selick or both). But why is it that stop motion has been singled out as the best conveyer of fright? Could it be the even sense of movement, or the clear hard effort; or could it be just a style of character and set design that works best in a stop motion setting? Well I wondered about that too. There are some good Halloween movies done in other forms of animation (Disney’s Legend of Sleepy Hollow , Hotel Transylvania , Scooby Doo on Zombie Island , and of course Over the Garden Wall which I’ve already discussed at length ) but the only ones that really get commercial and critical praise are the stop-motion ones. I looked at some of ...
Criticism, Essays, and Ramblings from Another Online Film Critic. Support me on Patreon at https://www.patreon.com/JordanBosch, follow me @Jordan_D_Bosch on Twitter and at Jordan Bosch on Letterboxd