Skip to main content

The Story of a Martian who's Not Marvin

               
                Wow! Matt Damon’s character from Interstellar got his own spin-off!
                The Martian is based on the book by Andy Weir and directed by Ridley Scott best known for directing such classics as Alien, Blade Runner, and Gladiator. Then he decided to take a fifteen year break from directing classics. Thankfully he’s still got it, as this film is absolutely tremendous!
                The story is about a manned expedition to Mars which is cut short by a monstrous storm. Commander Lewis (Jessica Chastain) and most of the crew (Michael Pena, Kate Mara, Sebastian Stan, Aksel Hennie) manage to escape quickly but are forced to leave their botanist Mark Watney (Matt Damon) when he is presumed dead. However he actually survived and is forced to use his smarts, skills as a botanist, and determination to keep himself alive on the lone planet. On Earth NASA finds out he’s alive and led by chairman Teddy Sanders (Jeff Daniels) and Mars Mission director Vincent Kapoor (Chiwetel Ejiofor) they launch an attempt to rescue him.
                The detail on this film is amazing! Everything from the technology, to the science, it all looks and feels so genuine. You truly believe Watney’s a real astronaut operating in real conditions. Even the video logs he records have a naturalness to them. Especially in how Watney explains the science he’s using in a very logical and relatable way. There are times when the film legitimately feels like a biopic before you remember no one has been to Mars yet. But the film so completely immerses you in its story and setting. The cinematography is also fantastic with sweeping shots of Mars that are rendered so well; it’s near perfect CGI, mimicking what we know the Martian landscape looks like.
The Martian himself is terrific as well. Matt Damon is likable and captivating as the man alone on a desolate planet trying to survive and keep himself sane. He can be light-hearted when he needs to be, and really intense or frustrated (this film does still remind us that anything off-earth constantly wants to kill us) when he needs to as well. The supporting cast on Earth is really good too. In addition to those already mentioned the film also features Kristen Wiig, Sean Bean, Benedict Wong, Mackenzie Davis, and Community’s Donald Glover. They’re all great but the ones that stand out to me are Ejiofor (clearly one of the best actors working today) and Wiig who surprisingly embodies her character so well you forget that it’s “that woman from Bridesmaids”.
But even that wasn’t as surprising as the comic relief this film pulled off. While it does get a little predictably quippy, there are some bits that are really funny. Like a scene out of nowhere where Watney almost blows himself up. All of his logs are light-hearted too and there are a couple good jokes such as him being constantly tormented by Lewis’ leftover disco music. Speaking of which, the music also enlivens these light-hearted sequences with a pretty fun soundtrack. As if Chris Hadfield bringing it back wasn’t enough, we get to hear David Bowie’s “Starman” as Watney roams around Mars. These moments of levity really offset the dramatic nature of the premise, and even though we can see the conclusion, we root for it all the same.
The Martian is truly an astounding film that basks in the determination of the human spirit. And in so doing, it’s a really feel-good film in spite of the needed moments of tension! Ridley Scott really is at his best working in a sci-fi setting and to have him back at the helm of a future classic is very welcoming indeed!

Comments

Popular posts from this blog

The Strange History of the American Spoof Movie

Parody movies have been around for a lot longer than we tend to think of them. Even from the earliest days of Hollywood there were movies meant to satirize a particular subject or genre. In the silent era, Buster Keaton was responsible for a few. And in the early sound era, almost as soon as the monster pictures took off did you see comic versions of them -Abbott and Costello hosting a few. But parody movies tended to be subtle for most of cinema history, or parody came in conjunction with another goal of the comedy. It really wasn’t until the 1980s and 90s that it took off and became popularly understood. And there is perhaps a line to be drawn to the counterculture comedy explosion that began in the 1970s through avenues like  Saturday Night Live , which frequently parodied from even its earliest years popular movies and cultural properties of the time. But that is still a way’s back. To my generation though, ‘parody movie’ is perhaps a less known term than the more blunt ‘s...

Notes on the Title Cards of The Lord of the Rings

It might be sacrilege for one who both considers The Lord of the Rings  trilogy to be one of the greatest triumphs of cinema and has been an avid lover of the films since adolescence, to declare that the original theatrical cuts of the films are better than the much beloved extended editions. Easily it’s my most controversial opinion regarding these movies. Don’t get me wrong, I do like the extended editions quite a lot, especially as someone who just enjoys spending time in that universe. They flesh it out more, add extra flavour, and in increasing the length by about an hour really emphasize the epic quality of these films. But I find that the original cuts are generally more cleanly paced, more seamlessly edited, and much more accessible to audiences. All the stuff there is to love about The Lord of the Rings  is there in the original versions, the plethora of new and extended scenes merely add to that for fans. And of those, they fall into three camps for me: 1....

A Stylish and Charmingly Reinvented David Copperfield

The Personal History, Adventures, Experience and Observation of David Copperfield the Younger of Blunderstone Rookery (Which He Never Meant to Publish on Any Account)  is the most important book Charles Dickens ever wrote. It is not the most famous or influential by any means (that would of course be A Christmas Carol ), but it is the book that is the purest expression of the authors’ style, identity, and worldview. It is his most personal work, semi-autobiographical in its story of the chronology from infancy to adulthood of a character who overcomes great loss and hardships to find a fulfilling life as a writer. To read David Copperfield  is to understand Dickens himself. Armando Iannucci knew this when he decided to make a new adaptation of the novel for a twenty-first century audience. He also knew that Dickens adaptations are ubiquitous at this point. Films are a bit rarer, but every few years a new television adaptation rears its head to keep the authors’ unique world an...