Skip to main content

Why all the Missy Hate?

             
             Doctor Who’s coming back! And like any Whovian I am excited! The trailers look great! Zygons! Maisie Williams! More Peter Capaldi! But there’s one thing in that trailer as well as last series that seems to have fans divided down the middle: no not Clara the character it should be, but Missy. Yeah, one of the break-out characters of last series has attracted a lot of detractors. People say she’s an insult to the legacy of Doctor Who and many are declaring they aren’t going to watch the show anymore. Wow! Is she really that bad? What’s with all the Missy hate?
                Now here’s where I get into SPOILERS for series eight of Doctor Who. Missy played by Michelle Gomez was a character who popped up a number of times throughout the series usually at the end of an episode as a teaser. In a way it became another of the show’s series arcs. In the finale it was revealed that Missy is in fact the latest incarnation of the Master (though the name ‘Missy’ did kind of give it away)! This was a pretty significant reveal as we hadn’t seen the Doctor’s fellow Time Lord nemesis in four years; and it led to an uproar in some parts of the fan community not at all pleased that one of the show’s most iconic villains was now a woman! They seem to think it’s a betrayal of the legacy of the Master, that it was just a stunt, and that it’s ruined the show for them. Many supporters of this version of the character see this backlash as sexism. Why is this such an issue? Why is it such a terrible thing that the Master is a woman?
                Well let me tell you, it’s not! -leaving it even more unfeasible for me to get behind or understand peoples’ problems with the character. So I’m going to break down why these complaints don’t hold water. The big one being that making the Master a woman betrays the legacy of the character. And I have to ask…what legacy? When Roger Delgaldo originated the role in 1971 he did a magnificent job playing a Machiavellian Moriarty to Jon Pertwee’s Doctor. The two sharing the screen was the best part of almost any episode and many would agree Delgaldo was the best incarnation of the character. But after that, we got a Walking Dead incarnation played by Peter Pratt and then Geoffrey Beevers who the writers had no idea how to use. He was followed by Anthony Ainley who let’s face it, was a terrible Master. He was enjoyably terrible, but his hamminess went through the roof and removed any iota of legitimate threat from the character. Eric Roberts’ version in the television movie was even worse! Hell when John Simm came into the fray we were just glad to have a decent Master again. He borrowed a sizeable chunk of Ainley’s camp but was also a distinctly interesting character with an expanded backstory and madness. But he did suffer from Heath Ledger-Joker syndrome of the smart dangerous sociopath (which I kinda think Moriarty in Sherlock is trying to capture too) and more than a few times it got cartoonish (particularly in “The End of Time”). So by the time Michelle Gomez and Missy came along we had more bad Masters than not, so it’s not exactly a great legacy and certainly one that’s been trodden on worse before. Others have suggested Missy should have wound up being the Rani another Time Lord villain from years ago played by Kate O’Mara. And the Rani a scientist with no conscious, was an interesting idea…in theory. In practice she too was a campy villain who literally dressed up as the Doctor’s companion as part of her evil plan. And maybe the character would be worth a revisit, but certainly didn’t leave enough of an impression to do so. I’d probably have just preferred an original character over the Rani to be honest.
                Some people complain that it’s not the fact she’s a woman but rather it’s her personality. Primarily her flirtatious relationship with the Doctor that we saw in “Death in Heaven”. But what people are forgetting or just not willing to admit, is that there has always been a slight homoeroticism between the two characters. If you look back on some of those scenes between Pertwee and Delgaldo (not to mention Pertwee’s outfit and Delgaldo’s somewhat prissy attitude) which with slightly different dialogue and a change of scenery would be similar to the gentlemanly discussions in Oscar Wilde stories. Even in “The Last of the Time Lords” we see that there are multiple dimensions to the relationship between the Doctor and Master (don’t forget the Master’s “death” scene). It’s always been there, all that Missy has done is bring it slightly more to the surface. There’s never going to be any action on it, it’s just making a subtle homoeroticism heterosexual (in fact maybe the LGBT community should be making a fuss). Her flirtations and seductions are merely a new weapon she uses.
                Was the Master becoming a woman merely a stunt? Well kind of. There was a lot of talk before Capaldi was cast that there should be an ethnic actor or woman in the role to make it more diverse. Even though to do that just for the sake of it would be a bad way to cast the Doctor. And there’s already been a lot of diversity in the supporting cast. Nonetheless there were still naysayers when Capaldi was cast so in a way it is obvious Steven Moffat went for a woman when casting the Master. But while it was a gimmick I think it paid off. Yeah Missy does retain a bit of the hamminess that I guess has become a part of the character now and at times her more forward flirtations do give me unpleasant recollections of River Song (did you hear she’s coming back? Oh joy…), but she’s a very charismatic, entertaining, and intimidating Master. She’s got a great look for the part, being not only menacing and insane but actually frightening with her wicked smile and upturned eyebrow. I think she comes closest to Delgaldo’s Master than any of the other successors in terms of sheer screen presence while at the same time standing out on her own.
                But there are still people who think that the Master shouldn’t be a woman despite decades of continuity supporting the idea that Time Lords can switch gender (Moffat even did it before in Doctor Who and the Curse of Fatal Death which every Whovian should see!). There are people who think making the Master a woman removes all menace in the character which is frankly insulting. Not only because again the character hasn’t had much menace in a long time; but also because there are plenty of menacing female villains in the history of television and film. Cruella de Vil, Annie Wilkes, Azula, Jane Hudson, etc.; certainly it’s possible that Missy could join these ranks. If the writers take her in the right direction. I’m looking forward to her reappearance and to series nine. And to those that say the show is ruined with a female Master, they’re too resistant to change to be fans of a show that’s all about it!


Comments

Popular posts from this blog

Disney's Mulan, Cultural Appropriation, and Exploitation

I’m late on this one I know. I wasn’t willing to spend thirty bucks back in September for a movie experience I knew was going to be far poorer than if I had paid half that at a theatre. So I waited for it to hit streaming for free to give it a shot. In the meantime I heard that it wasn’t very good, but I remained determined not to skip it entirely, partly out of sympathy for director Niki Caro and partly out of morbid curiosity. Disney’s live-action Mulan  I was actually mildly looking forward to early in the year in spite of my well-documented distaste for this series of creative dead zones by the most powerful media conglomerate on earth. Mulan  was never one of Disney’s classics, a movie extremely of its time in its “girl power” gender politics and with a decidedly American take on ancient Chinese mythology. It got by on a couple good songs and a strong lead, but it was a movie that could be improved upon, and this new version looked like it had the potential to do that, emphasizing

So I Guess Comics Kingdom Sucks Now...

So, I guess Comics Kingdom sucks now. The website run by King Features Syndicate hosting a bunch of their licensed comic strips from classics like Beetle Bailey , Blondie , and Dennis the Menace  to great new strips like Retail , The Pajama Diaries , and Edison Lee  (as well as Sherman’s Lagoon , Zits , On the Fastrack , etc.) underwent a major relaunch early last week that is in just about every way a massive downgrade. The problems are numerous. The layout is distracting and cheap, far more space is allocated for ads so the strips themselves are displayed too small, the banner from which you could formerly browse for other strips is gone (meaning you have to go to the homepage to find other comics you like or discover new ones), the comments section is a joke –not refreshing itself daily so that every comment made on an individual strip remains attached to ALL strips, there’s no more blog or special features on individual comics pages which effectively barricades the cartoonis

The Wizard of Oz: Birth of Imagination

“Somewhere over the rainbow, skies are blue; and the dreams that you dare to dream really do come true.” I don’t think I’ve sat down and watched The Wizard of Oz  in more than fifteen years. Among the first things I noticed doing so now in 2019, nearly eighty years to the day of its original release on August 25th, 1939, was the amount of obvious foreshadowing in the first twenty minutes. The farmhands are each equated with their later analogues through blatant metaphors and personality quirks (Huck’s “head made out of straw” comment), Professor Marvel is clearly a fraud in spite of his good nature, Dorothy at one point straight up calls Miss Gulch a “wicked old witch”. We don’t notice these things watching the film as children, or maybe we do and reason that it doesn’t matter. It still doesn’t matter. Despite being the part of the movie we’re not supposed to care about, the portrait of a dreary Kansas bedighted by one instant icon of a song, those opening scenes are extrao