The story of Wicker feels like it ought to predate that of the movie it is at risk of being confused with, The Wicker Man . It is credited to a fable called “The Wicker Husband”, which might be an old folktale from the pre-Norman past of England for its parable-like moral narrative and lack of official names for any of its characters who might as well be mere metaphorical symbols. But in actual fact it was a short story written just a few years ago by Ursula Wills, who does a remarkable job in adopting that particular style and character in a convincing but thoroughly contemporary manner. I can’t imagine a woman’s agency being all that popular a topic in even the pagan days of yore. It is filtered into movie form by directors Alex Huston Fischer and Eleanor Wilson, and while I can’t say whether its particular sense of humour and ironic tone is native to its source, it detracts surprisingly little from the ethos being communicated -that ethos being a rather stark reworking of Beauty an...
The 2026 Amazon Prime miniseries of Carrie is an important full-circle moment. It is a new adaptation of Stephen King’s first published novel releasing on the fiftieth anniversary of the first adaptation of that same novel -and the first adaptation of one of King’s works at all. It marks the longevity of both the writing career of one of the most successful novelists of all time, and how for almost as long that oeuvre has been a treasure trove for adaptation. And make no mistake, adaptations are a big part of King’s legacy. He would have been lauded as a successful writer regardless, but it’s the movie translations (and to a lesser extent TV) that have visualized his stories and made him not just a literary but pop cultural phenomenon. The iconography of such movies have become intertwined with the stories themselves, even where they have differed vastly from their source material. And there are many -including myself, admittedly- who know his work chiefly through these interpretatio...