Reviews of the Bosch

Celebrated American author Flannery O’Connor published two novels and dozens of short stories and novellas in her lifetime. Yet for whatever reason, John Huston’s Wise Blood from 1979 is the only movie adaptation of her work, namely her first novel. A couple years ago, Ethan Hawke semi-adapted some of her stories into the fabric of his biopic Wildcat , but there they are presented in a context apart from themselves. Wise Blood is the only case yet of her story unfiltered -written and produced by Benedict and Michael Fitzgerald, who knew O’Connor personally, as an apparently very faithful translation of her narrative style and voice. It is an intriguing movie -a good one- though I understand at its conclusion why there have not been others. Wise Blood is a dim satire on both religiosity and atheism. It is about a young man called Hazel Motes, played by a still very baby-faced Brad Dourif, who has returned from war disillusioned by faith and inspired to channel that through his own f...

Now here is an episode that really doesn’t waste a moment. I really like when Futurama decides to explore a corner of its universe that is relatively untapped. Space pirates are an established element, even if just on a couple occasions ( “Godfellas” most notably), but “Our Flag Means Medical Coverage” now gives them greater attention and a funny and interesting context. Of course it is also an episode about one of the regular structures of the series, D.O.O.P, and some interrogation of its own practices and leadership in a curious if thinly explored political conflict. A nice dichotomy to present alongside some enjoyable new worldbuilding. It begins with D.O.O.P President Glab marking a controversial new allegiance with the dictatorial Vampire Empire by delivering to them a grand gemguliam crystal piano. Zapp Brannigan and Kif are of course assigned with its transport while Fry and Bender have been hired to make the actual delivery. But D.O.O.P’s Admirella is suspicious of the whole...

The persistent motif across the MCU’s Spider-Man movies has been growing up. It began by following the titular hero through his latter years of high school , and reached its peak in Spider-Man: No Way Home , in which by the end Tom Holland’s Peter Parker is thrust into adulthood rather dramatically by the death of his aunt and the choice to have everybody forget he exists -including his beloved MJ (Zendaya). That film concluded with a very humbled Peter deprived of most of his connections and resources, living a solitary existence in a squalid apartment while fighting crime as his alter ego, revealing his true identity to absolutely nobody. An unusually bold choice for a franchise that likes to position its heroes as privileged celebrities. The harsh realities of maturity were on his doorstep, and it promised tremendous development for the series’ future. That promise is delivered on in Spider-Man: Brand New Day , for the most part. While some of the usual Marvel traits in script, ...

Being gay in heavily religious and conservative environments is a difficult experience, doubly so if you are a child. I personally know several people in the LGBTQ community who came from small towns entrenched in those kind of values and have a lot of pain I can’t conceptualize related to that. But I can understand how both a young person’s feelings about their own identity and who they are attracted to can feel like a trap -something that can hurt them, something they have to run from, and something nobody else will understand. This amorphous idea is given material form in Adrian Chiarella’s Leviticus , one of the most honest supernatural horror movies of the last few years. It comes from Australia, which is starting to reveal itself as a fascinating hot-spot for great modern horror (and indeed that heavily metaphorical nature of its monster is reminiscent of the now classic Aussie horror film The Babadook ). But then, Leviticus is just as much a coming-of-age romance -a type of film...

And here I thought an episode with this title was going to be a play on the Netflix show Beef . Futurama is back once again and to be honest I would have assumed for the last time. Season eleven was the final season of the renewal that Hulu gave it back in 2023 and there had been no word since then of anything after. But at Comic-Con this year it was revealed that the show will be getting a twelfth season, though suspiciously in the form of three multi-episode length specials, which sounds a little bit like the direct-to-video movies from 2007 to 2009 that ultimately formed the show’s fifth season but at the time functioned in part like a last hurrah. The fact that only one additional season has been greenlit rather than two leads me to believe both Hulu and Futurama see these specials as the end -possibly allowing the show a little more time and grace for its next series finale. Granted, this season’s finale is titled “Final Ending: The Last Conclusion”, so it is a bit rich that the ...

I’m a late millennial, so of course I have a connection to Avatar: The Last Airbender . Though while I was there when the pilot first aired on February 21 st , 2005, I didn’t actually properly give the series a shot until early adulthood, where I was able to appreciate the show on a richer level than if I had encountered it first as a kid. Like everyone though I loved it for its breadth of creativity, distinct and appealing animation, archetypal though strongly defined characters, immense scope, and surprisingly nuanced thematic architecture for a hero’s journey narrative. I also loved its admittedly discombobulated sequel series The Legend of Korra , much more awkward than its predecessor in its weakest moments but more thrilling in its boldest. The resurgence of the Avatar franchise in recent years as a signature artefact of 2000s nostalgia has felt rather shallow and not very interesting -mostly due to the cynical prominence of the live-action Netflix show I have no interest in watc...