It is astonishing to me that Nirvanna the Band the Show the Movie has taken off so much as a near-instant cult movie hit. Not because it is a scrappy independent film with no notable stars. Not because it is produced with a seemingly DIY crudeness. Not even because it plays with time travel as a concept and is ensconced in 80s movie throwbacks -particularly Back to the Future . But because of an aspect to the movie that is best crystallized in a moment where Matt (Matt Johnson) confirms he is in the year 2008 by a series of references that culminates in him seeing a billboard advertising Q with Jian Ghomeshi. I’m astonished that Nirvanna the Band the Show the Movie has taken off so much because it is so extremely Canadian. The Ghomeshi joke is one of at least a handful in this film that I have to believe goes over every American’s head. Hell, there are even a couple jokes specific to Toronto in the film that I didn’t catch. But I can definitely comprehend the other ways this very stra...
Somehow, I didn’t expect the movie about a dystopia where casual sex is illegal to be particularly anti-casual sex itself. The characters bemoan the status quo of their world every so often and there are anti-mandate proclamations all around, but most people seem to shrug it off as an annoyance more than a genuine infringement on civil liberties. There is a disillusioned apathy with the government suppression (someone comments “this is what you get when you’re a one-issue voter”), musings about getting around it or bringing it down are not taken seriously, and it is even bestowed a kind of legitimacy by the end. Of course, One Night Only is not a movie very interested in the implications of its premise. Rather the premise is just an excuse for a series of scenarios befitting a generic enemies-to-lovers rom-com. Director Will Gluck and writer Travis Braun perhaps did not think through what they were actually saying by attaching this novel kind of synopsis to a more conventional for...